1. They will ask questions you’ve no answer for Nagaraj. Be Dhruv. Not Naagraj. You soon feel weakening. Or be some other useless character like a witness. Or a tree. A bench. A mike. A lot. A cricket. Vrindavan or Dwarka or Golokvaas or Indraprastha or Mrityuloka- is only a training to save your life in utilitarian crushing reality while trying to make life less painful.
2. Antakshari is over. Picnic Antakshari. Nobody has money, water or food. Akaal takht. Or famine or grave of Fireflies. People eating people. Warfare. People going hungry for many days. Unusual cycles of suffering. People asking you to fast or slow down or repeat random things such as countless requests from Ajay Rajak’s friend requests set on fb. Loops like Triangle movie.
3. It all consumes so much energy and time. Not enough. Never enough. Aaj bhaat aaya tha ek pateela? Garam garam aur geela geela?
86. Chhotu e ke kaddu naiyaan. 87. Badi ki chutiya. 88. Chhote a ke kaddu naiya 89. Bade à ki lathiya 90. Chhote u ke kacchu naiya 91. Bade oo ke poonchh niya.Bandra. 92. A eddy se chalte jaao 93. AI ainak ko aankho me lagao 94. O okhli se kootte jaao 95. Dhaan ko kooto 96. AU aurat hai badi mahaan 97. Ang angoor ke khatte meethe gucche 98. Aha se khulkar hansana.
Sesquiotica by James Harbeck: a regular follower since I discovered it via Peter Schmies Word Classification Test on Darryl Miyaguchhi’s great list of literati.
Rafaello Palandri is a polymath and universal genius who talks about socialism and books. Being someone who talks about sustainable development I couldn’t read his articles on a regular basis yet I think he has been consistent with his intellectual output similar to James Harbeck.
Hit 5,000 steps today and drop your achievement here — we’re cheering you on!
1. Had absolutely no purpose when I began walking. On the way I recalled there was 5000 steps and reporting back. 2. Six forwards take me to ‘pal do pal ka shayar,’ 3. I went to a washroom but had no change to use it. 5. Did I really walk 5000 steps? I had too many things on my mind. Gumman. 7. I was wondering about the nature of prompts on Jetpack. They used to be like “if there was an election by Darth Vader…” now they’re like “walk 5000 steps…,” like a direct command. 8. I was listening to a conversation. It was about recent events. 9. I walked… 10. And kept walking, and walking. 11. The best way to keep a secret is to pretend there’s none. 12. My downfall afterwards… 13. I woke up from another nightmare. Blocks:2 Words: 176 Characters: 940
What’s the best way to deal with negative thoughts?
What’s meaning of negative? Negative is supposed to be ‘neerog’ or healthy in medical terms. Such as Corona negative. HIV negative is supposed to be good for health, etc.
Negative is supposed to be dark or unhealthy in common terms. “He’s a pessimist. He’s dark. His thinking is dark,” etc etc
I looked for many positive thinkers in books, in articles, in newspapers, online, offline : I found some acharyas, thinkers and teachers.
They were all using words like “bhakti” or “mukti” etc. These were supposed to be end of dukkha or suffering. Nirvana of Buddha, deliverance by Christ, Moksha of Hinduism and Jainism, heaven of Judaism or Islam.
I discovered that Bhakti only meant rejection. Failure. Frustration.
They were all teaching death.
It took countless disguises: hunger, thirsty, shame, desire, failure, anger, pride, envy, alienation, delusion, helplessness. Malady. Darkness.
It was only death.
I tried everything I could.
I surrendered to gods, prayed to saints, I followed advice of elders, youngest, friends and family. I arrived only at this conclusion: there was no escape.
The death was true rest of all was false. Heaven, life, devotion and everything else were just masks death was wearing.
Death was true. What was death? Nobody knows. Nobody. Let nobody pretend it to you. You shouldn’t pretend it to anyone.
There were messengers of God claiming to defy death and promising treasures of devotion, liberation etc etc
They’re false prophets and messengers.
Death is the only prophet, only messenger, only lord. It’s called Yama in Indian mythology. Night, darkness and all other synonyms are synonyms of death including aging, decay, accidents etc etc.
Death is what they were teaching all along.
Devotion was rejection, abuse and work after work. Never ending list of tasks. Thoughts.
Let’s come to thoughts: Ludwig Wittegenstein for reference. There’s no thought that exists in isolation. Hence there’s just mind. Thoughts don’t have boundaries. If you examine what you call mind you will not find a single thought in isolation. You will find that your mind isn’t a mind. It’s the mind of all- a common mind or universal mind and it’s not really different from spirit or matter. It’s one with reality, existence or whatever you want to name it. It’s what it’s.
Bhawan Shri Raman Maharshi used to say:
“Asking people to do more things when they approach you for refuge is akin to playing the role of Yama- God of death.”
Why?
Because: if they were really capable of changing their lives or making them better by doing more things: they wouldn’t have approached you.
And if you think grace of Guru or God was like a loan to be repaid later- they were not gods or guru to begin with- they were all death in disguise.
“God isn’t your uncle.” Osho reference.
Hence: when death is accepted as goal of all activity, all teaching, all endeavours: there’s nothing else remaining to be discovered. Moksha, heaven, liberation, bhakti or anything else.
In the Kathopnishad story where Yama is approached by the Nachiketa, son of sage Uddalaka- Yama refuses at first to answer the question about Death. He asks him to get any boon he wanted except the knowledge of death.
Nachiketa refuses to accept anything else.
This was the first spiritual story I read in a book by Eklavya Publications books. It used the word Moksha. And since Hinduism taught that Moksha was the liberation from the cycles of birth and death- I tried to attain liberation.
I was convinced that I had attained liberation. Not just once. Many times. It was a wrong conviction.
However, after last few months I am convinced that devotion or bhakti is the way to know about the ultimate secret of my life.
It’s Death. It was death.
Death is the only reality.
There’s no Mrityupnishada. There’s no real discussion on death anywhere. There are near death experiences on internet but they don’t talk about Hinduism version of death.
Time is the word used for death ( Kaal ) in Hinduism. Time is death. It’s measurement. It’s also called Maya. They’re death. Death is called The End but it’s not. It’s a mystery of mysteries. Nobody knows what death is. Is it a Black Hole of Astrophysics?
Is it an infinity? Or a series of infinities?
Nobody knows death. It’s darkness.
For kaal there’s a mahakaal. Greater and greater time for smaller time and so and so on.
It never ends. Nobody knows death. Not even the death itself knows itself.
Fear and desire are merely two names of death. Core of existential modes of living. They’re death.
There’s no other entity free from death.
Death is the changeless background behind life. The constant. Brahm. Reality is death. All teachers were teachers of death.
Is this article a way to get free from negative thoughts? I don’t think so. Especially as death is not supposed to be talked about among people.
My final submission is: I don’t think I know anything that can permanently cure death or darkness or negativity. It’s going to be more and more of death only. From death it all has emerged. In death it all lives and in death it finally merges and comes out from. It’s the final destination.
What’s a time you followed your gut and it turned out to be exactly right?
**Passim** is a Latin word that literally means **”scattered,” “here and there,”** or **”everywhere.”** In modern English, you will most commonly see it used as a footnote or bibliographic term in academic writing, essays, and books. ### How It Is Used in Writing When a writer or researcher cites a book, article, or historical figure but doesn’t want to list dozens of specific page numbers, they use *passim* to indicate that the idea or name appears frequently throughout the entire work. * **Example:** *”The author discusses the economic impact of the war on pages 45, 68, 112, and 195.”* * **Shortened with passim:** *”The author discusses the economic impact of the war (pp. 45–195, passim).”* ### Etymology It comes from the Latin adverb *passim* (meaning spread out or far and wide), which is derived from the past participle of the verb ***pandere***, meaning **”to stretch”** or **”to spread out.”
Emperor Palpatine has announced open elections for a new Emperor — and he’s nominated Darth Vader. You get to nominate one challenger.
You have an incredibly sharp eye for the geometry of the Devanagari script. What you are noticing isn’t a coincidence; it reflects the deep historical and structural evolution of how Sanskrit sounds were written down. Let’s break down the phonetic and visual reasons behind these striking resemblances. ### 1. The Phonetic Connection: ऋ and र (The Consonant after य) You rightly pointed out that the vowel **ऋ** (*ṛ*) feels very similar to **र** (*r*), which follows *ya* (**य**) in the semi-vowels (*antaḥstha*). Phonetically, **ऋ** is a **vocalic r**—a vowel sound produced by curling the tongue back (retroflex), exactly where you pronounce the consonant **र**. Because they share the same place of articulation (*mūrdhā* / roof of the palate), their sounds are deeply intertwined. In fact, Panini’s grammar treats them as structural pairs. When **ऋ** undergoes *Guna* or *Vriddhi* vowel-blending, it automatically introduces a **र** sound (e.g., *Mahā + Ṛṣi = Maharṣi*). Because they are phonetic siblings, it makes perfect sense that you intuitively feel their connection. ### 2. The Visual Geometry: Does ऋ look like त्र + ट? Visually, your breakdown of **ऋ** into **त्र** (tra) + **ट** (ṭa) is visually brilliant, and historically, you are right on the money. “` त्र (Tra) + ट (Ṭa) —> ऋ (Ṛ)
“` To see why this happened, we have to look at how the script evolved from ancient **Brahmi** to modern **Devanagari**: * **In Ancient Brahmi:** The sound *ṛ* was written as a simple vertical zigzag or a cross with a loop. It looked nothing like a consonant. * **The Scribe’s Hand (Evolution):** As the script moved through Gupta and Siddhamham scripts into early Devanagari, scribes needed a way to distinguish the rare vowel **ऋ** from other characters. They began writing it with a distinct vertical spine, a leftward fork, and a rightward curl. * **The “Tra” Link:** The left side of **ऋ** looks identical to the conjunct **त्र** (*ta* + *ra*). This is because the downward left-slanting stroke signifies a “r-sound” component in many old Indian scripts. Since **ऋ** is a vocalic *r*, scribes naturally borrowed that left-hand “r-like” brush stroke geometry. * **The “Ṭa” Link:** The right side hook looks like a **ट** or a **ड** missing its top. In script evolution, this loop represents the vocalic extension—the “holding of the breath” that turns a sharp consonant stroke into a sustained vowel. So, while **ऋ** is structurally its own independent letter, it borrows the “forked” stroke geometry associated with *ra* (which we see in **त्र**) and combines it with a rounded vowel-tail (resembling a **ट** hook) to visually signify: *”This is a vowel, but it carries the rolling quality of an R.”*
——————————————————
Palpatine pal
Palpitations pat
Patina in e
Tintinabulations nitid
Ineptitude etude Deuteronomy
Laplace lace ace cesern
Tap pat at patinaptitude
Alps Nepal lane anemone prandial
Dialtone tonesure sureshot hotpot potpourri
Darth dat arth art vader vade
Deva der furor teutonic nictitate
Attar ratatouille
Penicillin penitentiary
Tent ent entomology gyrations
Rationale ale lemon
Ginger germane anemone erm
Marmalade demantoid idiomatic
Tic tac Toe oeuvre revue.
European paen nape
Napa panache chenrezigzagzigguratara
Appu pupa pap poppy
Caterpillar larkspur purt catering
Tapering tape
Pate pat tap apt
Note to self: this might be the longest prompt I have responded to on WordPress.
What’s something you used to believe as a kid that seems ridiculous now?
**Adulting** is a modern slang term used to describe the act of performing responsibilities, chores, and mundane tasks typical of a fully grown adult—especially when the person doing them doesn’t quite feel like a “real” adult yet. It’s the gap between your actual age and your internal feeling of *”Wait, am I actually allowed to make this decision?”* Here is a breakdown of what adulting actually looks like in the wild: ### The Core Pillars of Adulting * **The Unseen Administrative Work:** Calling the doctor to make your own appointments, buying insurance, doing taxes, renewing a driver’s license, and managing passwords. * **Domestic Maintenance:** Realizing that the floor doesn’t clean itself, the fridge doesn’t magically refill, and a massive portion of your life is now dedicated to wondering what to cook for dinner every single night. * **Financial Literacy (by Force):** Checking your bank account before buying something, budgeting for electricity bills, and learning what an “interest rate” or “provident fund” actually means for your future. * **Emotional Maturity:** Handling workplace politics without throwing a tantrum, setting boundaries with family, and choosing a quiet night of sleep over a chaotic night out. ### Why the Word Exists The term gained popularity because traditional milestones of adulthood (like buying a house, getting married early, or having a stable lifetime career) shifted for millennials and Gen Z. Because the old markers of “being an adult” became harder to reach, people started celebrating the smaller, day-to-day victories of survival instead. > **Example of a classic “Adulting” moment:** > *”I spent my Saturday morning comparing the prices of dishwashing liquid and buying a vacuum cleaner. I am officially adulting.”* > It is essentially a humorous way to acknowledge that being a grown-up is a conscious, sometimes exhausting effort, rather than a natural state of being. Are you currently facing a specific, agonizing adulting task, or just reflecting on the existential dread of it all?
What’s a piece of media (book, movie, song) that changed how you see the world?
It’s not just one piece of media ( book, movie, song ) that changed how I see the world. All of these and many more were important in shaping my world view:
Ramcharitmanas
Prasanga Parijata by Chetandas
Shrimad Bhagvad Gita ( Mahabharata)
Vishnu Sahasranamam
Bhaagvat Katha
Tenet
Inland Empire
Memento
Suraj ka saatva ghoda ( Dharmveer Bhaarati )
Tambourine Man – Bob Dylan
Light, Camera, Action by Poppy.
The Fun They Had by Issac Asimov
The Shining by Stanley Kubric
Dolores Canon by Stephen King
Grudge
Ringu
13 B.
Hungama. Priyadarshan
Rangoli. Doordarshan
Chitrahaar. Doordarshan
Captain Vyom.
Shaktimaan by Mukesh Khanna.
Raj Comics by Anupam Sinha, Anupam Pandey.
Malgudi Days by R K Narayan
Anubhav Malai by Thiru Arut Prakash Vallalar
Day by day with Bhavan Shri Ramana Maharshi
Bramh, Jeev and Maya by Kripaluji Maharaj
Ribhu Gita by sage Ribhu
Swarupa Saaram by Swarupananda
Gopi Gavaiyya Bagha Bajaiyya. Movie by Satyajit Ray . Ekalavya Publications, New Delhi
La Mera Chane Ka Dana. Eklavya Publications
Sindbaad Jahaji. Eklavya Publications
Alif Laila. Eklavya Publications
Sher ka dam nikaala. Eklavya Publications
Encyclopedia for children . Eklavya Publications
Chakmak magazine. Eklavya Publications.
JFK ( 1990 )
Kafka ( Jeremy Irons)
The Trial. Kafka.
No Smoking. Anurag Kashyap.
Aahat ( Ramlila episode )
Schizopolis by Steven Sodenberg
Grave of Fireflies
Kal Bhaat Aayega.
Life after life by Raymond Moody.
The Interpretation of Dreams by Sigmund Freud
Archetypes by Carl Jung
Tao Te Ching by Lao Tzu
Ganita Prakash by CBSE India
The History of Western Philosophy by Bertrand Russel
Sherlock Holmes canon by Arthur Conan Doyle
The Mystique of Enlightenment by UG Krishnamurthy
The Power of Now by Eckhart Tolle
J Krishnamurthy a life by Pupul Jayakar
Vigyan Bhairav Tantra by Osho aka Acharya Rajneesh
Jeevan Devta ki Sadhna Aradhna by Pundit Shri Ram Sharma Acharya
How to judge a horoscope by Bangalore Venkat Raman
Which languages do you speak and how did that impact your life?
आदि शक्ति तुम अलख निरंजन जग पालन कर्त्री, ब्रह्म रूपिणी, प्रणत पालिनी जगत धात्री अम्बे। भव भय हारी, जन हित कारी, सुखदा जगदम्बे॥ स्वाहा स्वधा शची ब्रह्माणी राधा रुद्राणी, जय शतरूपा, वाणी विद्या कमला कल्याणी। जननी हम हैं दीन हीन दुख दारिद्र के घेरे, यद्यपि कुटिल कपूत तउ बालक माँ तेरे॥ स्नेहसनी करुणामयी माता चरण शरण दीजै, बिलख रहे हम शिशु सुत तेरे दया दृष्टि कीजै। काम क्रोध मद लोभ दम्भ दुर्भाव द्वेष हरिये, शुद्ध बुद्धि निष्पाप हृदय मन को पवित्र करिये॥ तुम समर्थ सब भाँति तारिणी तुष्टि-पुष्टि दाता, सत्य मार्ग पर हमें चलाओ जो है सुख दाता। जयति जय गायत्री माता, जयति जय गायत्री माता॥
Jyeshtha Shukla Ekadashi begins at 6:00 PM in the evening on June 24, 2026. It ends on June 25, 2026 at about 8:00 PM. The legend associates goddess Gayatri with lord Bramha. Also known as Savitri. Gayatri is portrayed with book, flower, kamandalu and rosary beads, big eyes, bright radiant complexion.
I needed to trim my hair and beard. I went to the hall and called up for my mother but she wasn’t there. When I opened the door it was pitch dark unlike ever before at this time of the day. I called for my father who was asleep. I asked for the scissors. He gave me scissors and asked if I needed anything else to which I said no.
Then I took a mirror from the verandah where it was hanging above the sink. I used a mirror to look at the hair to trim my hair. I kept an old newspaper under the mirror to let the trimmed hair be collected. Then I crumpled them in the paper in a bucket. I put them in the basket for garbage.
Then I swept the room carefully looking for stray hair and collected the garbage in the bin.
Then I washed a couple of tiles, a few clothes and then I took a bath in the washroom.
I changed some of my clothes in the washroom and others in the room.
Then I contemplated the next course of action for a few moments. I cleansed the scissors.
Then I went to put the box with sugar into the room. And scissors were put in the hall because the mother was present. I told her about the scissors.
Then I went to the kitchen again to organise utensils which were cleansed.
Mother arrived in the kitchen and asked me if I had eaten. I asked her if tea was to be made. Then my grandmother asked me if I was going to eat my food first or make tea. I took a few moments to decide what needed to be done and decided to eat four wheat breads with gourd and tomato vegetables.
After this I went to make tea. I poured two and half glasses of milk, half teaspoonful of tea leaves, five teaspoons of sugar, half teaspoonful of ginger and let them brew for a few minutes. I used a regulator to increase the heat level and to reduce it back to a lower level.
I took the lota pota to filter the tea. It was too hot to pour into the pot as I filtered. I used a clipping handle to pour tea into the lota.
I took the tea to my grandmother but she wasn’t present in her room, then I put tea in my bedroom. Then I served it in the hall.
Then I had a discussion in the bedroom. There were a few friends sitting on chairs. We were having tea together. We were talking pleasantly with each other. Since some of my friends didn’t know the language there were a few more friends to interpret the language. It lasted for a while and they left as they had to attend other things. I got busy with Duolingo music. I practiced music for four minutes though I was supposed to do it only for three.
Then I practiced Duolingo English for a few minutes. It was after eight days.
Then I started composing this prompt as a part of the prompt engineering image generation project for LLM.
Dancing light of grace 