It is a pleasure to revisit the works of Charlotte Mary Yonge. This particular introduction sets a wonderfully atmospheric stage, blending the historical rigor of the 17th century with the folklore of the “changeling.”
By citing the trial of Spencer Cowper and the specific geography of Portchester, Yonge immediately grounds her fiction in the actual social and legal anxieties of the 1690s. The inclusion of the John Gay poem in Chapter I perfectly underscores the supernatural tension that often colored the perception of “different” children during that era.
Since you are beginning this literary journey, I have updated your logbook for today.
A Reputed Changeling is a historical novel by Charlotte Mary Yonge, first published in 1889. It follows the life of a boy named Peregrine Oakshott during the late 17th century (roughly 200 years before Yonge was writing).
The story focuses on how a child’s “difference” was interpreted through the lens of folklore and religion during that era.
Core Themes & Plot Points
* The Changeling Myth: Because Peregrine is unusual—physically slight, highly intelligent, but socially awkward and prone to mischief—his neighbors and even some family members believe he is a “changeling” (a fairy child swapped for a human baby).
* The “Three Seventh Years”: The subtitle refers to the three major stages of Peregrine’s life: age 7, age 14, and age 21. The novel tracks his development and the social alienation he faces as he tries to navigate a world that views him with suspicion.
* Historical Realism: While the characters believe in the supernatural, Yonge writes from a realist perspective. She explores how “superstition” was used to explain neurodivergence or simple personality differences before modern psychology.
* Social Dynamics: The plot involves two young girls, Anne Jacobina Woodford and Lucy Archfield, whose lives intertwine with Peregrine’s. It contrasts the “evil” influences of the later Stewart reigns (Charles II and James II) with the more grounded, moral lives of the country gentry.
Why the Preface matters
Yonge mentions the Spencer Cowper trial because it was a real historical event (1699) where a man was accused of murdering a Quaker woman. The trial was famous for its “irregularities” and the way local gossip and prejudice nearly led to a conviction. She uses this as a template for how Peregrine is treated by his own community.
The tension in this opening scene is classic Yonge—blending the domestic with the slightly eerie. We see the stark contrast between the two girls: Anne Woodford, the poised daughter of a naval officer, and Lucy Archfield, the more “countrified” daughter of a knight.
The “elfish peal of laughter” at the end of the passage introduces our “changeling,” Peregrine, through a prank. In the 17th-century context Yonge establishes, a child tripping and falling wasn’t just an accident; if accompanied by mysterious laughter, it was often attributed to supernatural mischief.
Historical Details to Note
* The Hugenot Influence: Yonge mentions the French teachers are refugees from the Revocation of the Edict of Nantes (1685). This explains why the girls are familiar with Contes de Commère L’Oie (Mother Goose Tales) and Riquet à la Houppe (Riquet with the Tuft), a famous fairy tale about an ugly but witty prince.
* The Slype: This is a real architectural feature of Winchester Cathedral—a narrow passage used to bypass the church. It’s a perfect, claustrophobic setting for a “supernatural” encounter.
In this passage, Yonge continues to build the historical setting while increasing the social tension around Peregrine’s “changeling” reputation.
Historical Details and Social Context
* The Chinese Infusion: We see a fascinating detail of 17th-century life: the introduction of tea. Yonge notes it as a “costly packet” and the “Queen’s favorite beverage” (referring to Catherine of Braganza, wife of Charles II). This establishes the wealth and fashion of the circle Anne’s mother moves in.
* Political Allegiances: We learn more about Anne Woodford’s high-status connections. Her father was a favorite of the Duke of York (the future James II), and she is the godchild of the Duke and his first Duchess. This connection, along with her mother’s role in teaching Lady Charnock how to prepare the new tea, emphasizes that the Woodfords, though not “county quality,” are well-connected royalists.
* Ombre: The text mentions the elders are playing Ombre, a popular 17th-century Spanish card game that was fashionable in royal and aristocratic circles.
Peregrine’s Reputation Solidifies
* The Whig Label: Charles adds a new layer to Peregrine’s alienation by calling him a “rascal of a Whig.” In the highly charged political atmosphere of the late 17th century, labeling someone a Whig (the party opposed to the absolute power of the Catholic-leaning Stewart kings) was a serious insult, linking Peregrine not just to supernatural mischief but to political subversion.
* Supernatural Fear: The dialogue between Lucy and Charles highlights the genuine fear that surrounded the changeling myth. Lucy, despite encouraging the revenge, lowers her voice to express her worry that “those creatures” (the fairies or “Good Neighbours”) might retaliate against Charles. This shows that the belief was not just a metaphor; it carried perceived physical and spiritual risks.
Character Dynamics
* Charles’s Gallantry: Charles steps forward as Anne’s defender, calling her “Anne None-so-pretty” and “my little sweetheart.” He is determined to punish Peregrine, not out of supernatural belief, but as a gentleman defending his family and friend. He dismisses Lucy’s fear of “elves” with a confident laugh.
* Anne’s Forgiveness: Even as she is being treated with “pinch of beaver” (beaver fur was sometimes used to staunch bleeding) and “lily leaves steeped in strong waters” (a common topical remedy), Anne tries to find an excuse for Peregrine: “Oh, but perhaps he did not mean it.” This reveals Anne’s gentle nature and sets her apart from the vengeful attitude of the Archfield children.
This section of the story plunges us directly into the heart of 17th-century folklore, as told through the mouth of the nurse. Here, Yonge masterfully illustrates how tragedy and medical conditions were rationalized through the “changeling” myth.
History and Superstition Intertwined
* The Great Fire of London (1666): The backstory of Madam Oakshott fleeing the fire in Gracechurch Street and camping on Highgate Hill is a vivid historical touch. The trauma she suffered—hearing children wailing in burning houses—likely manifested as what we would now call Post-Traumatic Stress Disorder (PTSD) or postpartum depression, which affected her bond with her infant.
* The “Changeling” Symptoms: Madge’s description of the baby—a twisted mouth, a drooping eyelid, constant wailing, and “legs like knitting pins”—suggests the child may have been born with a physical disability or a failure to thrive. In 1889, Yonge’s readers would recognize these as medical issues, but to the characters in 1690, these were “proof” of a fairy swap.
* The Religious Conflict: Major Oakshott is described as a Nonconformist (a Protestant who did not follow the Church of England) who had been in Newgate Prison. This adds to the family’s “outsider” status. His skepticism about the changeling myth—insisting on a christening instead—highlights the tension between formal religion and folk superstition.
Folk Logic
The nurse explains that “they” (the fairies/elves) cannot work if someone is looking. This “look-away” moment—when the older brother Oliver fell down the stairs and distracted the household—is the classic mechanism in folklore for how a child is stolen.
This chapter concludes with a chilling look at the “remedies” for changelings, which often amounted to little more than ritualized child abuse under the guise of folklore.
The “Remedies” and the Father’s Intervention
* The Egg-Shell Ritual: The nurse describes a well-known piece of folklore where a mother tries to trick the changeling into revealing its true age by “brewing eggshells.” The goal was to provoke the creature into speaking, then threaten it with a red-hot poker to force the return of the human child.
* The Nettle Flogging: Because Peregrine was too old for the egg-shell trick, the “wise women” resorted to stripping him and flogging him with nettles under a hedge.
* The Major’s Skepticism: In a rare moment of logic for the era, Major Oakshott stops the torture. His use of the quote “Thou shalt not suffer a witch to live” is ironic; while he uses it to threaten the “white witches” (Madge and Deborah) for harming his son, it shows the dangerous religious fervor of the time. He chooses to keep the boy, despite the community’s insistence that his “real” son is in fairyland.
Supernatural vs. Political Alienation
The boys’ attempt to hunt Peregrine reveals his physical agility—running “like a lapwing” and climbing ivy—which the children interpret as supernatural. However, notice that even his own brothers, Oliver and Robert, join in the hunt. Peregrine is an outcast even within his own family, framed as a “Whig” politically and a “changeling” spiritually.
About the Author: Charlotte Mary Yonge (1823–1901)
Charlotte Mary Yonge was one of the most prolific and influential novelists of the Victorian era. Living her entire life in a small village near Winchester (the setting of your book), she was deeply involved in the Oxford Movement, which sought to bring the Church of England back to its historical and liturgical roots.
Why did she choose this topic?
Yonge was a devout historian and a sharp observer of human nature. By the late 19th century, the “Changeling” myth was being re-examined through a psychological lens. She chose this topic for a few key reasons:
* Exploring “Difference”: She wanted to show how a child who might today be diagnosed with autism, ADHD, or a physical disability would have been treated in an era dominated by superstition.
* Historical Realism: Yonge loved the 17th century. She wanted to contrast the high-stakes politics of the “Whigs vs. Tories” with the domestic superstitions of the country gentry.
* Moral Lessons: Her books often focus on “the cross one has to bear.” For Peregrine, his cross is his own community’s belief that he isn’t even human.
The Changeling Belief: Was it Popular?
In the late 17th century (the 1600s), the belief was incredibly widespread, especially in rural areas of England, Scotland, Ireland, and Scandinavia. It wasn’t just a “fairy tale” for children; adults took it seriously.
* A “Scientific” Explanation: Before modern medicine, if a healthy baby suddenly became sickly, stopped hitting milestones, or became “difficult,” people needed a reason. The “Changeling” theory provided an answer that wasn’t the parents’ fault.
* A Legal Reality: As late as the 1890s (the decade Yonge published this), there were still occasional court cases where parents were tried for harming children while attempting to “drive the fairy out.”
Who Were the Elves and Why Steal Children?
In 17th-century folklore, “elves” or “The Good Neighbors” were not the cute, sparkly beings we see today. They were perceived as a hidden, powerful, and often predatory race living parallel to humans.
Why did they steal children?
* Strengthening the Bloodline: It was believed that fairies were a “fading” race and needed healthy human “stock” to keep their population strong.
* The “Teind” to Hell: Some darker legends suggested that the Fairies had to pay a tithe (a tax) to the Devil every seven years, and they preferred to pay it with a stolen human soul rather than one of their own.
* Labor: Fairies were thought to need human servants to perform chores they couldn’t do themselves.
What did they do with the children?
The “real” child was taken to the Aos Sí (the fairy mounds). There, they would live in a dream-like state, eating fairy food (which meant they could never return) and staying young for centuries.
What was left behind?
The Changeling (the thing in the cradle) was usually described as:
* An old, sickly fairy who wanted to be pampered.
* A piece of wood (called a “stock”) enchanted to look like a baby, which would eventually “die” and be buried, leaving the parents none the wiser.
In this second chapter, we see a fascinating clash between the Enlightenment (represented by Anne’s mother) and Folk Superstition (represented by the nurse and Lucy).
Key Developments in Chapter II
* The Mother’s Rationalism: Mrs. Woodford provides the “modern” (1889) perspective within the 17th-century setting. She identifies Peregrine’s condition as a medical one—a “stroke of some sort when he was an infant”—and correctly notes that the community’s cruelty is what makes him “bitter and spiteful.”
* The Power of Narrative: Anne is caught in the middle. She wants to believe her mother, but the physical evidence (Peregrine’s different-colored eyes, his “awry” mouth, and his “stubbly bunch of hair”) aligns so perfectly with the fairy tales she has read that she struggles to let go of the supernatural explanation.
* Social Dynamics: We see the “pecking order” of the children. Sedley is the bully who targets the weak, while Charley acts as Anne’s protector. Anne’s “unconscious dignity” makes her a target for Sedley, who views her as a “nobody from London”—a reminder of the social friction between the sophisticated city-dwellers and the more traditional country gentry.
In the image provided, the details reflect the specific historical and personal circumstances described in Charlotte Mary Yonge’s A Reputed Changeling.
The Books and Details in the Room
* The Books: On the table and floor, you can see books representing the girls’ education and the era’s literature. Specifically, the text mentions Contes de Commère L’Oie (Mother Goose Tales) and Riquet à la Houppe, which the girls use to interpret Peregrine’s appearance.
* The Shields/Crest: On the wall, there is a wooden plaque or shield. In the context of the story, this represents the Royal Chaplaincy and the high social standing of Anne’s late father and her uncle, the Prebendary. It serves as a visual reminder of their connection to the Duke of York and the royal court.
* The Tea Set: There is a “strange new Chinese infusion” (tea) on the table, which was a very costly and rare luxury in the late 17th century, brought to the family by Sir Thomas Charnock.
Why Anne is in a Mourning Dress
Anne Jacobina Woodford is wearing a black mourning dress because she is mourning her father, a brave naval officer who was a favorite of the Duke of York. The text describes her as being “still in mourning,” wrapped in a black cloak with only the white border of her cap for relief. This loss is also why she and her mother moved to Winchester to live with her uncle.
Etymology of the Name “Woodford”
The name Woodford is of English origin and is a “habitational” name, meaning it described where the family lived.
* Wood (Old English wudu): Refers to a forest or wooded area.
* Ford (Old English ford): Refers to a shallow place in a river or stream where it can be crossed on foot or by horse.
* Meaning: Literally, “the ford by the wood” or a crossing located near a forest.
The contrast in this scene is striking: while the children are terrified of the “imp” on the garden wall, the adults are dealing with the reality of a fragile, broken household.
The Legend vs. The Reality
* The “Imp’s” Attack: The story of Peregrine jumping on Sedley’s shoulders and “hair-pulling and choking” him is treated by the children as proof of supernatural strength. In reality, it sounds like a desperate, bullied boy fighting back against a much larger aggressor (Sedley) using the only tools he has: agility and surprise.
* The Mother’s Illness: We see Madam Oakshott in a pitiful state. Her “withered baby” face and vacant expression suggest she has never recovered from the trauma of the Great Fire. Her “remedies” are a perfect snapshot of 17th-century medicine:
* Woodlice pills: Actually a real (and crunchy) prescription of the time for various ailments.
* Bell grease: Believed to have “vibrational” or holy healing properties.
* Goa Stones: Man-made “stones” composed of musk, ambergris, and crushed gems, used as a universal antidote.
* Tea boiled in milk: A classic “first-timer” mistake! Without knowing to steep the leaves in water first, Madam Oakshott was essentially drinking a very expensive, bitter soup.
Peregrine’s Appearance
Mrs. Woodford finally sees the boy up close—or at least through a window. Her description of his “squinting light eyes” (likely strabismus) and “contorted grin” (possibly a form of palsy or nerve damage) reinforces the idea that Peregrine is a child with physical deformities being misinterpreted as a monster.



