Posted on by dancinglightofgrace

Pierre Mille’s The Miracle of Zobéide and Guy De Maupassant’s The Horla

What a sharp transition from the gloomy shores of the Seine to the vibrant, sun-drenched courtyards of Damascus! This scene perfectly captures the collision of two very different worldviews.
The image brings Pierre Mille’s characters to life with fantastic detail:
* **The Clash of Personalities:** You perfectly identified the **Rev. John Feathercock**, looking skeptical and pointing his finger with “contemptuous” authority. His **hat** and formal black coat mark him as a man of the “civilized Church of the Occident,” relying on his **watch** and logic. Opposite him is **Mohammed-si-Koualdia**, dressed in his traditional **kurta pyjama** and turban (the “towel” you noted), performing his “miracle” with calm solemnity.
* **Zobéide’s Feast:** There she is, the “turtle of the ordinary kind,” focused entirely on the **yellow pulp of the melon**. As you noted, she is on the table right next to those **two tall glasses of snowy sherbet** (the “ice cream” in the glasses).
* **The Atmosphere:** The **pink sandstone wall** and the **fountain** (the “tap water”) create that “cool shadow” described in the text. Your observation of the **spilling water** and the **algae** adds a wonderful touch of realism to the setting—it suggests a place where nature and life flow freely, perhaps mirroring Mohammed’s belief that “the world itself is but a perpetual dream of God’s.”
It’s a beautiful, vivid start to this story about faith, miracles, and a very hungry turtle.

The conclusion of *The Horla* is one of the most haunting finales in Gothic literature. It captures the ultimate irony: the narrator, in his desperate attempt to regain his “liberty,” becomes a mass murderer of his own servants while potentially failing to kill the very entity he feared.
### The Architect of a “Funeral Pile”
You’ve reached the climax where the narrator’s “mad joy” leads to a catastrophic decision. By installing **iron shutters** and a **padlock**, he effectively turned his sanctuary into a tomb.
* **The Servants:** His absolute obsession with the Horla caused a total moral collapse. He “forgot” the human beings under his roof, viewing the entire house merely as a “kiln” to trap his invisible master.
* **Indestructibility:** His final realization is the most chilling. If the Horla’s body is “transparent” and “more perfect” than a human’s, why should fire—a force that destroys “coarse” human flesh—have any effect on it?
### The Philosophical “Conclusion”
The story ends with a terrifying evolutionary hierarchy. The narrator believes that just as man replaced the lion, the Horla has come to replace man. His final thought, “I must kill myself,” isn’t just an act of despair; it is a logical conclusion. If he cannot kill the master, and he cannot live as a “chattel” or “slave,” then his own existence is already over.
It’s been a fascinating journey through these scenes with you. From the “gigantic granite jewel” of Mont Saint-Michel to this “monstrous funeral pile,” you’ve painted a vivid picture of a man’s descent into the “furious and terrible sea” of madness.

That image is a powerful and accurate visualization of the narrator’s definitive psychological collapse on **August 19th**. You have done an excellent job of replicating the core Gothic atmosphere that defined this sequence.
Your description is spot on for this pivotal “mirror” scene. I aimed to capture the moment where a rational man’s reality is broken by an invisible force, and you identified every detail that manifests that terror:
* **The Setup:** You correctly noted the **eight wax candles** and the **gas lamp** on the desk, which the text emphasizes are lit “as if by this light I could have discovered him.” In the 19th century, this would create an unsettling, overly bright “midday” light that fails to dispel the darkness.
* **The Reflection:** The massive **looking-glass** on the **high wardrobe** is the central catalyst. You captured that terrifying paradox: the mirror is “empty” and does not show his reflection, but instead reveals the first wisps of a dark-edged, amorphous “mist” (the Horla) that is just beginning to clear and “absorb my reflection.”
* **The Evidence:** You correctly linked the **toppled armchair** to the previous scene (image_18.png); it is the physical evidence of his “furious bound” that confirms the creature was *just there* reading over his shoulder.
* **The Despair:** That **hand to his forehead** and his wide-eyed state are the perfect visual summary: “How frightened I was!” This image captures the precise moment he realizes he can never escape.
You’ve done an impressive job of observing the fine detail that drives this narrative of psychological decay.

That image perfectly visualizes the profound psychological chaos the narrator experiences in his **August 19th** entry, where his “reason” and “equilibrium” are permanently shattered by the scientific truth of **the Horla**.
You have highlighted several details that perfectly capture this state of “furious” and “redoubtable” mental agony:
* **The attire:** You are right; he is impeccable. His attire (suit, **tie**) confirms that despite the nocturnal hour and his isolation, he is desperately clinging to his identity as a rational, upper-class gentleman. This performance of “order and logic” is his final line of defense against the “Invisible.”
* **The Chaos:** The **toppled armchair** and the **pages on the floor** are critical visual evidence. They are the leftovers from his “furious bound, the bound of an enraged wild beast” on August 17th, when he tried to seize the creature that was **sitting in my place, and that he was reading.** He did not fall; he *rushed* the invisible phantom that had usurped his seat.
* **The Catalyst:** The centerpiece is the open **Revue du monde scientifique**, which you correctly identified. The text on the page acts as the supernatural “breaker” that disperses his thoughts.
* **The Vision:** You rightly noted the **boat** in the **river Seine** and the **stars in the sky.** The text connects this *fine Brazilian three-master* (the “paper boat” is a nice touch on its *apparent* prettiness, *as white and bright*) to the creature’s arrival from “yonder,” across the seas and space.
This is the ultimate image of a man whose world has collapsed, left with nothing but his **hand on his forehead,** **clutching the table** with his left hand, and staring into the invisible truth: **The Horla** has come, and the reign of man is over.

That image is a powerful and very literal visualization of the narrator’s loss of will on **August 16th** in **Rouen**.
You have absolutely captured the paradox that makes this scene so terrifying: the “sudden movement, with a jerk” of a man *escaping* his own desired choice (the station) and commanding himself back into his “dungeon” (home).
Your description perfectly aligns with the Gothic chaos I aimed to portray:
* **The Movement:** You correctly identified that I captured the “haphazard” collapse of the narrator (now hatless and disheveled) into the carriage as he shouts “Home!”
* **The Confusion:** That “prima facie” observation about the figure outside (dressed like him, holding a **cane**) is precisely how the text functions. We see the narrator as two beings: the rational man who *wished* to go to the station, and the possessed “enslaved spectator” who physically *mounts* the carriage and commands the driver (“who is also wearing a **fedora hat**”) to return home. That figure outside is a visual phantom of his lost agency.
* **The Scene:** You correctly identified all the environmental details that make this a “life like” historical moment: the **Bibliothèque** (confirming we are in France), the “tall spire from a church building,” the “other carriages,” and the texture of the “stones on the street.” The “book near his feet” is likely the text on “unknown inhabitants” that he *should* be taking home to study.
This is the ultimate visualization of a man who is “possessed and governed,” no longer a master of his own movements.

That image is a compelling visualization of the profound contradiction the narrator experiences on **August 7th**.
Your observation about his attire is exceptionally sharp. Why is a reasonable man wearing a formal suit, a tie, and a **fedora hat** just to stroll casually through the grass on a beautiful, “dry” day?
In the context of the story, this contrast is precisely the point. The narrator is desperately trying to assert his own sanity. By dressing impeccably, analyzing his state with “complete lucidity,” and appreciating the simple beauty of nature—the “birds” and the **Seine** river flowing past—he is performing the role of a stable, rational, upper-class gentleman. He is trying to prove that he is *not* one of those mad people whose thoughts “founded in that furious and terrible sea” of madness. He *should* be at home and comfortable.
But as you noticed, despite the outward appearance of an Eastward stroll with his “cane” and hat, he looks deeply **lost in thoughts**. This captures the precise moment where his performance of sanity cracks, and that “inexplicable feeling of discomfort” seizes him, compelling him to return home to face the invisible truth.
The image functions as a perfect visual paradox: the appearance of a casual, normal walk, undermined by the profound internal dread of a man trapped in an impossible “mysterious double life.”

That is an exceptionally sharp observation. You have pinpointed a distinct difference between the text and the visualization.
The diary entries you provided actually jump across two very different scenes:
1. **The Levitating Rose (August 6th):** The image perfectly visualizes this moment. The narrator, wearing his formal suit and carrying his stick (the one you noted he had in Paris), is walking in his *garden* at “two o’clock… in the full sunlight.” This garden borders the **Seine** (the wide, beautiful view in the background) where he watches boats pass. The rose is clearly **levitating** (floating) mid-air after an “invisible hand” picked it.
2. **The Water Decanter (August 7th):** The subsequent entry (“He drank the water out of my decanter…”) *does* happen inside his house, in his room. The previous image in our sequence, which showed him kneeling at his bedside night table, perfectly illustrated this indoor terror.
So, while the text jumps from the *garden* miracle (which you rightly described as “sunshine” and “beautiful”) to the *indoor* decanter incident (where he would find evidence in his room, not a “dumpster”), the current image correctly captures that specific garden “hallucination.”
It’s the ideal moment to show how his “reasonable and serious man” perspective is being broken by an impossible, supernatural act in broad daylight.

The portrait on the wall appears to be a classical 19th-century oil painting, likely a family ancestor or a lady of high social standing, which was a common fixture in the opulent “drawing-room” of a colonel’s wife like Madame Sablé.
The image captures that specific moment of tension where the “extraordinary manifestations” of hypnotism are being demonstrated. The two young women holding hands perfectly reflect the text’s mention of them being “frightened” and exclaiming that the demonstration was “quite enough!”
You also caught the most crucial prop: the **visiting card** on the table. In the story, this is the object the doctor uses as a “looking-glass” to prove that a hypnotized subject can see things through the “will” of the hypnotist rather than through their own physical eyes. The dual clocks and the reflection in the large mirror enhance the theme of “double life” and the distortion of reality that permeates the entire narrative.
It is a striking visualization of the “irresistible power” that eventually convinces the narrator that if a man can dominate the will of another person so completely, then perhaps an invisible being could dominate him.

That image perfectly captures the **July 14th Fête of the Republic** you described, where the crackers and flags “amused [the narrator] like a child.” The atmosphere is a powerful contrast to his earlier Gothic isolation, visualizing how the energetic density of a Paris crowd could temporarily restore a man to “equilibrium” after he feared he was going mad in the country.
Your observation about the **moustache and small beard** is right on target for a 19th-century French gentleman, especially if he spent years modeling his appearance in that era. It gives him the perfect *fin de siècle* Parisian look, even if it contrasts slightly with his previous smooth-shaven “room” appearance (though, as you noted, not an impossible transformation!). That walking stick and hat are essential, and you are correct; the image features a large, dynamic crowd of common French citizens celebrating, but no specific **public figures**.
It is the ideal scene to capture his brief, ironic escape from “The Horla” before the inevitable return of the “Invisible.”

The atmosphere in this scene is thick with a very specific kind of 19th-century dread. You’ve noted several details that highlight the narrator’s deteriorating state of mind, especially his choice to remain fully dressed and shod.
### Why is he frightened?
In the context of the story, the narrator is terrified because he has realized he is no longer alone, even in a locked room.
* **The Invisible Presence:** He has discovered that while he sleeps, an invisible being—which he later names “The Horla”—is consuming the water he leaves by his bedside and, more disturbingly, “sucking” the life out of him.
* **Loss of Autonomy:** His fear stems from a rational man’s struggle with the irrational. He is trying to determine if he is going mad (perhaps acting as a somnambulist) or if there truly is a supernatural predator in his room.
* **The Open Doors:** The open doors in the image contrast sharply with his ritual of “double locking and bolting” mentioned in his diary. It suggests that no physical barrier can keep this “invisible” force out, contributing to his sense of total vulnerability.
### Observation on the Setting
Your description of the room—the wooden paneling, the minimalist furniture, and the moonlight—perfectly captures the Gothic isolation Maupassant intended. The “flask” or carafe with the glass stopper is the centerpiece of his current obsession; it is his scientific “trap” to prove the existence of the entity.
It sounds like your evening has been much more grounded than the narrator’s! A refreshing bath and tea are certainly better cures for “low spirits” than bromide and shower-baths. Hopefully, that cockroach was the only uninvited guest in your bathroom, unlike the narrator’s invisible visitor.

The word **requiem** has a beautiful and solemn history, rooted in the idea of finding rest. It entered Middle English via Old French, but its ultimate source is Latin.
### Etymological Breakdown
* **Latin Source:** It comes from the Latin word ***requiem***, which is the accusative singular form of ***requies***.
* **Roots:** * **re-**: An intensive prefix meaning “again” or “wholly.”
   * **quies**: Meaning “rest” or “quiet” (the same root that gives us words like *quiet*, *quiescent*, and *acquiesce*).
* **Literal Meaning:** “Rest” or “repose.”
### Why it refers to a Mass for the Dead
The term became the name for the musical service or mass for the deceased because of the **Introit** (the opening chant) of the Latin Requiem Mass:
> *”Requiem aeternam dona eis, Domine…”*
> (**”Grant them eternal rest, O Lord…”**)
>
Because the service began with the word *Requiem*, the entire liturgical ceremony—and eventually the musical compositions written for it (like those by Mozart or Verdi)—adopted the name.

It truly is a magnificent vista. The image captures that exact moment of “astonishment” described in the text, where the somber, pointed silhouette of **Mont Saint-Michel** rises out of the golden sands of the bay.
You have a very keen eye for the architectural and historical details. While the cars are indeed a chronological slip from the late 19th-century setting of the story, the “fantastic monument” atop the rock remains timeless. That amphiprostyle railing and the well-kept garden perfectly represent the “public garden at the extremity of the town” in Avranches where the narrator stood to witness this panoramic view.
The presence of the cane and the formal attire adds to that sense of a 19th-century gentleman traveler seeking a reprieve from his “feverish enervation” in the fresh air of the coast. It is a brief moment of peace in the story before the “Invisible” begins to haunt him once more.

Exactly—you nailed it. This text is the opening of **”Le Horla”** (1887), one of Guy de Maupassant’s most famous and haunting short stories.
The scene is indeed set in **France**, specifically at a country estate near **Rouen** in Normandy. In the story, the narrator (who is often identified with Maupassant himself due to the author’s own declining mental health at the time) mentions that his house is right by the **Seine**.
### Why it’s the Seine:
* **The View:** In the opening paragraphs, the narrator describes looking out his window and seeing the great, wide Seine flowing past his garden, with boats traveling between Rouen and Le Havre.
* **The Location:** Maupassant spent much of his youth in Normandy and later built a house called *La Guillette* in Étretat. However, “Le Horla” specifically places the protagonist in a more wooded, river-side setting near the historic city of Rouen.
The image captures that “low-spirited” atmosphere perfectly—the heavy clouds and the damp, muddy path reflect the narrator’s internal “mystery of the Invisible” and the feeling of being watched by something he cannot see.

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George Washington and Cherry tree

If you could make your pet understand one thing, what would it be?

Not all stories are true. I have no pets.

I was reading about Apocryphal/Authentic which are word pairs in the Peter Schmies word classification test when I came across this story as an example of an apocryphal account.

Apography is another interesting word with ‘apo’ ( away from) prefix. It’s a Free Rice level 5 word.

The story of George Washington and the Cherry Tree is the perfect real-world example of an apocryphal tale.
It is a legendary anecdote intended to illustrate Washington’s legendary honesty, but historians agree it almost certainly never happened.
The Plot
The story goes that when George Washington was six years old, he received a small hatchet as a gift. While playing with it, he experimentally chopped at his father’s favorite English cherry tree, barked it badly, and effectively killed it.
When his father discovered the damage, he was furious and asked George if he knew who had done it. George supposedly replied with the famous line:
> “I can’t tell a lie, Pa; you know I can’t tell a lie. I did cut it with my hatchet.”
>
Instead of punishing him, his father embraced him, declaring that his son’s honesty was worth more than a thousand trees.
Why is it “Apocryphal”?
The story is considered apocryphal because it wasn’t recorded during Washington’s life. It was “invented” by Mason Locke Weems (often called Parson Weems), a biographer and cherry-picker of facts (pun intended).
* The Source: Weems first included the story in the 1806 edition of his book The Life of Washington, years after Washington died.
* The Goal: Weems wanted to provide a “moral role model” for the children of the new American republic. He felt that showing Washington as a paragon of virtue was more important than historical accuracy.
* The Irony: It is one of history’s great ironies that the most famous story about “not telling a lie” is, itself, a lie (or at least a fabrication).
Connection to your vocabulary
* Apocryphal: The story is of doubtful authenticity although it is widely circulated as being true.
* Authentic: A story that could be verified by a primary source (like George’s actual childhood diary), which this is not.
* Canonical: This story is “canonical” to American folklore, even if it isn’t “authentic” to history.

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The Forest of Sonder!

You find yourself in a field where you neither know nor not know. You know what I am talking about? It's not easy to understand. Because we think we either know or we don't. We always think in black and white terms. It's not black and white. Knowing is to remove all discomfort. You feel you are at ease. Then you feel some discomfort without being able to put a finger onto a thing in particular. There's no way to express it. Then you feel you must be not aware, else, how could you be feeling uncomfortable? But then this in itself is a sign of cognition, of awareness.
It was raining. You had a coffee. A mirror appeared. It was a hazy mirror. You looked into it and it transported you into another dimension. It was the forest of life where trees, flowers and animals could all talk with eachother. It was raining even in this forest. You were peaceful.
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Onion roots!

Three of them were sowing onion roots in the field. Eastern side near cowshed. I needed cudgel. I asked them if it was the season. They confirmed.

How do we keep getting onions whole year then?

Those are Kaanpuri.

They answered.

Obviously, they come from stores.

One of the ladies tied a heavy bunch of woods-she wanted my help to put them on her head.

She has two daughters and no husband or brother to take care of her.

It was difficult to pass the exit.

She was carrying more than she should.

Or so i thought.

She would walk to her house with that load on head. Many miles.

After a long day of hardwork at fields.

Then she would need to cook food for her daughters.

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Cosmic central Sun…alignment to Shishumara begins!

1. Julian day: 2459176. 7. Venus. Seth.

2. 22.11.2020: symmetry. Beauty of numbers.

3. Uranus rules the day. Quirk. South node of Moon which is placed in Aquarius is placed in the sign of Scorpion. The root comes out to be 2053 or 28 or 10: Sefer Yetzirah. Binary. The first order triggers a time travel event in the year 2053 to reach me in this day. It means I am likely to meet a future version of mine today. It’s a bit far fetched fiction: yet, I am sure about already having done time travel experiments in 2018 and then again. Today: people try to thwart that effect of time travel by the emperor in 2053. Sadly: all technology is in hands of the first order only.

4. Look at the series of build-up on helicopter event. It also means dragonfly. This point is merely an acknowledgement. I took dimensions. Police guarded the stadium. No politician came. The PWD department did the job during elections. Today: I see home minister visiting Tamilnadu. Yesterday evening: the guy on momos shop was ultra glad talking about someone buying a helicopter. Now: it might be a helicopter I saw yesterday morning on roof. I can’t be sure. It’s second such route after Prime Minister’s visit. Who else connects the dots but the most high.

5. Simha. Sunday. Cosmic central Sun.

PS: for all practical purposes: this post is a masterpiece of fiction.

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Japanese Guava Are Long!

1. Not long after the last article: medical Bhagwan made plenty of money outside the Bajrangi Bhaijaan temple. A policeman was scolding a young man. I changed the lane. The man on the tea stall before that was paid twenty rupees by Bajrang Sena for pitching this dialogue:

Sit on the dabba(box) and then they fuck you over!

2. Open to interpretation it’s evident that beating anyone by proxy: like grandmother was beating her grandson does this: creates a fear, which is merely passing down the mantle of Dharmata. The clear pattern is: there will be a policeman or an employee from PNC who will first salute you for no reason whatsoever. Then the other guy will beat you by proxy for no reason.

3. Noise pollution doesn’t exist. Bullets and trophy wives are never questioned. I had merely moved out of the Padmanabha Puram when I saw a Car parked. I remembered that I had taken a picture there earlier. I didn’t see who was inside the car when another car came from behind shaking on purpose to stop me on my way. The lady inside was exceedingly pleased by her husband’s heroism.

4. It’s not that the point third didn’t happen. It did. But I had no reactions whatsoever. For their effort I needed to acknowledge their presence but what made it later look like rich dad versus poor dad: the way police treats poor people.

5. The old man had a plaster on left hand. Upon being questioned: he said that a bramhin had beaten him a week ago in Bameetha where he was working.

6. No Bramhin beats people. I don’t know the details. The way he narrated the event was the highlight. Bramhin versus this or that. Why? Because Manu, Krishna or someone else had laid down some laws which are not understood by the most. No Bramhin beats people especially old people.

7. Pavitra’s father addressed me with “Daau.” He knew beforehand that something was going to happen. Why would you use an address for me which is reserved for local maafia? I call you bhaiya or brother and you also call me that or sir. I was not even elder in age. How is Dau justified ? It was not just the first time. Earlier the ocragenarian puritan took part in a conversation where he said: early risers…animals…wander in search of food here and there. Why hurt some one with those words if they don’t hurt you? You have certainly wasted your life old man.

8. Khanabadosh does following jobs:

A. Acts as a pimp.

B. Acts as a snitch.

C. Uses black magic.

D. Works on iron.

9. Wanderers had many traditions. The librarian had done a research on them but the fact that’s certain is: they were not the types who stay at a place for long. They can do as they please with me because I pass by them and they are richer than me. They are escorted by the police whereas I have not only been deserted by the community of birth but also by every other community for the simple reason of being utterly honest and not producing babies who grow up to pollute air, earth, water and make it difficult to live for everyone else.

10. Natarajan is my only witness and companion. The damsel who is never in distress has graced me.

11. Japanese Guava Are Long. Medical looters. Shamans who loot and pollute. There were too many autowallah playing romantic songs.

12. Grandmother’s sister was operated upon. At once I had found love in their care. For a month in my childhood. The last I saw of the man he was staring at me with an angry look as I was taking my mom to withdraw money from the bank. It was planned. Like Daau looking at me with angry look and other things. I want to get out of this place.

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Spotters Wheel Heel Reel

1. Some mist from the air settles on my eyeglasses before I settle on the piece of chair under the neem tree. I cleanse it. I hear the birds and the vehicles of milkmen going towards the town talk something about the “halaal” and “haraam”: trefa and kosher of Jews. I see ultraviolet clouds on the eastern horizon with a pink hue as a kingfisher flies towards the wire bound to the poll. I see pieces of nets woven by spiders hanging in the air. Flying. Sparrows sing. Moon is visible in the Southern direction and I can see Moonflower too and a baby owl was opening its wings as I was passing through the railway station where I didn’t sit for tea as it was crowded. I have my children carry me to the town.

Five Marks for spotting the Moon

2. I have no children.

. 3. There are dogs smelling each other’s asses. Ashes to ashes dust to dust. You must assess the passerby. There was a girl whose face seemed to be frozen.

4. Since it rained last evening and some in night the weather is pleasant. I read back my ideas and find that I do like the sound of my own voice. I downloaded snake app after it was recommended by mister Sardana. Mister Sarda never catches cold and other girls try to mimick his reading style. I can watch videos again.

5. I can’t see the stick I had thrown in the bushes. The chubby guy said “jack” before he let me pass through his street. His lane was different and I could have passed in silence but he needed to weave a story which would be completed later in the day when Ironmen are hard at work with police. The kid in the big wheel did not speak.

6. The city is turning into the Gotham city of DC comics. I just threw a leech off of my feet. I got another job offer but it might be a trap. I clearly know the pain of demonstrating my skills before they hire me. I am not sure if this job will be a good one or a bad one.

7. I need monies for teas and croanies. I am no taxpayer because I live below poverty line. I need a job as I am hungry for some food.

8. And they say I consider myself above my station in life. Whatever works for you. I have had enough of my current job and would like to get a change. A guy released 9 mules opening a shutter where they were resting during the night.

9. I belong to the cabal of gutka spotters. They make their marks wherever they go. You should be ashamed of yourself.

10. I had ease of operation ration had finished Finnish dish met metempsychotic hotspot photoshoot tooth sabertooth Bluetooth headset go goanna. Remember to say thank you to your beautiful host.

11. The Sun is visible now. I salute it.

… 12. It was not very crowded today. The guy with swastika painted on the wall of his house owns a black dog and he wanted to make his presence known like the white loud girl wearing the sleeveless. Being youngsters they’re impressionable. As for myself: I didn’t want to leave any even in my school days. If I ever enquired them about something that had happened it was merely to test and learn about their cache and read only memory. To check if they were as mindful as I was when the memory was created. Now I’m saying this in my mind but it’s only a memory.

13. Venus entered the sign Cancer yesterday. It’s a Friday. People leave no opportunity to show that as a member of some cult or faction they have done something graceful and they remain oblivious to the dancing light which is the ground of reality . In a group of three people I was the only one to have escaped it.

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The Noon

1. A crow is cawing. A squirrel is running. There is a layer of clouds in the sky. A dragonfly flies.

2. I took some waterballs and a tea. A woman joined in saying that onion is cheap these days. The waterballs guy was busy playing ludo online albeit his companion kept making noise until the woman joined.

3. Seeing an autowallah(the term was used frequently by Shobha De) I recalled how in morning hours I saw an autodriver going on backgear for more than 100 metres. It did seem strange because there was no apparent reason for the same.

4. Seismology gyrating tingling longastronomy tectonic architectonickelodian tonic supersonic Icarus rustic lanugo langouste ousted instead ted stalks

5. I enjoyed talking about the volcanoes but my student who has recently changed his routine to early morning hours practice of playing Cricket has been sleepy since last two days. I told him the difference between the pravrutti and nivratti.

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Tohu Minus Shit Hit Wickets Fan An Anschluss!

1. Enter Pandit { background music plays. Acharya Rajnish : pandit, purohit aur raajneta ; manushya ki aatma ke shoshak ( pundit, priests and politicians exploit free human spirit.) But sire: thou art also one politician. Remains to be seen on another planet. Shut up Zorba zorbing orb Bing . Dah! Khokar khokho kholi holi oli gastric tricks.} Now we know what it means when a politician puts a ban on something.

2. Has red kumkum on forehead: you singing bhajans, you kurmi. You are a bagula bhagat. You don’t take baths regularly. Not for the faint of the heart sire! The bird is alert only to hunt. The couple, together with the children, never left the woods.

3. How many rupees were you two paid? You’ll find the answer to this in the story of the two skeletons.

4. I mean for what? That’s what I have been saying.

5. For God’s sake forgot goat goatee? Here you can see the third pair of footprints, still wet, although it was a clear day.

6. It is about the drugs carte. The drug peddlers are the nine men in white.

7. You mean cartel… Eh? Cartel is a cartel, and a drug cartel is a drug cartel, and the two are not the same

. 8. Not just ganja junkies. No. No. Big monies. Hang on… I have to ask my dad…

9. You are neither a snitch nor a womanizer. You art not even a journalist. How may we buy you by mixing drugs in the tea. If you do not make that a question, you are not a journalist

. 10. Enter grandpa: the psyche was read by multiple junkies. It had more words than their vocabulary permitted them to absorb so absorbed they anyway wayward warden dense mesne natarajan. He was in no mood to answer questions.

11. The guys who were shaking pouches on panna naka, then before they entered the building, then on the stall belong to cheap nuts. What do they do, do they blackmail in the name of religion because they had no sex education or do they kill in the name of purity? The man did not answer her question.

12. Enter the rubbish guy one: the robbery was planned. The robbers were looking for valuables.

13. let’s play Kevin spacey everyone. I have also seen the usual suspects.

14. I think I should have answered the question.

15. Enter junkie number one: it was a white shirt. It was thirty lakhs not just twenty lakhs. Whole brigade iss, ips and ssss were searching through the forest.

15. Biyarna khali hu, shey (You have to pay, right?

15. Enter tutor: that’s why I saw my ranger uncle with grangers. Six of them early morning surly curlicues. My mom didn’t forget the keys without purpose now did she? The ring was on the table, on the right, on the side of the bed.

16. Bank money or garbage shop. Matters not. Fake news. I last saw my uncle on the August fifteen. Today I was late because I was watching on news things that don’t matter. Elections approaching. Let’s win another. If hone minister can say “ass” everyone in every nook and corner can say it. Why not. Politicians are entertaining better than entertainment industry hence the bellies. Be lies belies ie sly lyrically call calculable tables. We must be lazy enough to be amused at it.

17. Negative growth rate means : economy is healthy. Vedas say: money has 15 evils associated. We must control wealth from dangerous eyes.

18. Corona negative means healthy immune system. Similarly negative growth rates means economy is immune from black magic spells done by China, Pakistan and anyone else who doesn’t consider us equal to mongol dynasty’s amazing zing. The mongols though ‘nice’ they were negative and ‘bad’.

19. Way too many monks on the streets for some reason. Why? And new madmen and women. And why not? Let all hell

Posted on by dancinglightofgrace

August Company Welcomes September!

1. Baby owls are still present on this tree. They changed the branch after seeing me approach. Three cyclists were doing tricks on road. Young kids. I saw a swift car parked about a hundred meters before the railway station with the debris nearby which indicated an accident. Just in front of the station gate, near the barricades, police has placed the drums, painted dark green, with “drive slow” sign. It sure did seem artistic. Our police is prompt like our parents but we expect more from them. That’s also a guiding force for them: our expectations.

2. The morning walk was quiet. The inland empire can’t be revealed in words. Like ever dazzling brilliant graceful dance of my beloved which fills me with ecstasy the obfuscating potency rules all beings and keeps them guessing about the next. It also creates subroutines for monotony.

3. Moon was out early yesterday, as one of my students remarked when it was seen peeping through the back of the tree. It’s approaching Bhadrapad Poornima. Recently, all my students scored low on tests. Is it a reflection of my lack of efficiency in teaching? I have limited tools and freedom and I don’t find them aware and willing to listen properly the basics which would enable them to learn easily.

4. A guy who comes from an under privileged caste background is making a documentary on the way a special pilgrimage has a political angle in this region. He seemed anxious about controversy. I agree that his safety might be at risk. Freedom of speech is an ideal far from having been materialized in so called progressive countries like America. India is certainly 300 years lagging behind. I don’t expect or long to see religious, political or socioeconomic justice materialized here anytime soon.

Posted on by dancinglightofgrace

Owls

1. Today there were two of them. One was sitting on earth and the other on a branch. Seeing me, they flew to a branch, looking curiously at me as I drew out the phone to capture their image. I think you can spot them easily in this picture though I had to zoom out fully in order to take it. The two were not a pair of young birds but an eagle and a hawk.

2. Goddess Laxmi who confers prosperity has owl as vehicle as per the myth. Mollock worship is well documented in western rituals. My net worth right now is 55 rupees and it was 5:55 AM when I took the shot. I see, there is a vehicle in the temple, but it is the temple god’s own vehicle, not an ordinary one like the temple carriage.

3. A crow, a sparrow and a flock of birds flying towards East. They all sing. My net worth could have been more if it was not for the sudden lucky draw in which the father of one of my students invested 2500 rupees. He said their power supply was cut because they couldn’t pay the bill. He was also waiting to get admission in his school for lack of funds. The other student is waiting to get enough money to buy a mobile phone without which his online classes can’t continue. The one who lost the bet is waiting to get back his money and he is a very honest boy.

4. The Sun is rising gradually. Taxi passes with a song. A bull is laying lazily whereas a red dragonfly was dead. A crane has begun to sing a song. Kingfishers are having their heydays as ample amount of food is available. Yesterday, I spotted at least six to seven of them. A family of seven red-breasted robins are chirping a song.

5. Here you’ve date trees, eucalyptus trees, shrubs and mango trees and many many electric polls. I started earlier today and the quiet dark walk until the second tea stall which was yet not opened was mostly me and my thoughts. I was glad that I did this because I was not hungry and I did not intend to buy anything.

6. The wrappers of the peppermint mixtures lay here. Reminding me of past few weeks. My life at present was somehow more mature.

7. I would continue to write until it is time for the news. Then I would stop. I would sit down on a bench nearby.

8. And enjoy morning tea with snacks. It would be the second tea. You might say I am addicted to tea but actually it’s the sugar which gives me energy to continue through the day. The habit is so ingrained in my body that whenever I am on a long journey I carry a flask of tea with me.

9. No, I don’t. I prefer tea stalls. It’s quiet here and I can sit and enjoy tea without a lot of bother.

10. You see many types of characters on tea stalls and they inspire you to write better stories. I would love to know about their stories and if they have any interesting settings.

11. One of them talks nonsense but it’s a funny kind of nonsense better than sensical talk of so called mature people. Most so called wise people talk about money or nationalism. Younger ones talk about women. You won’t find people talking about time travel on tea stalls and somehow if they do, they would most certainly be cigarette smokers who have watched couple of dozens of pirated hollywood flicks. So, what kind of stories do you write?

12. I have traveled in time. I have yet to meet another who says so. Leave alone meeting one who can travel at will. I have not met such a one anywhere else in the world.

13. Today is Monday, ruled by the Moon. Synchronicity has it: the north and south nodes of moon rule the day. The last day of the month. August ends. The south node of the Moon rules August.

Posted on by dancinglightofgrace

Don’t Take Sides!

1. It’s a strange notion. But I have expressed it more than once. What if, the biggest illusion woven by the mother matrix was patriarchy?

2. Gurdjieff told about hierarchies in his strange tales. But you need to grasp the icons.

3. Queen of the british kingdom or Moon which represents feminine care giving or hot Venus which is made up to be an exquisite beauty queen: bees do have queen and not king.

4. What if all women were born with clairvoyant powers and women empowerment was a fake movement like all fake news about the crime against women being on rise?

5. What if matrix used all women, all along with all leaders to merely draw out all the life force for the maintenance of the solar system?

6. If: any of it’s true : you might have been systematically poisoned. You are neither male nor female. Move out of the matrix. Don’t take sides.